The reformed Kennedy Center’s beautiful frenzy
i.e., we are so back
The good, bad and ugly in arts and exhbitions
i.e., we are so back
The high-class latest installment allows audiences to relish great storytelling, done extremely well
Why a generation of online right-wingers embraced its esoteric memes
He was the greatest character actor of the past half-century
He had a remarkable career in American film, and one that can be seen more clearly now
In its apparent lack of interest in risk-taking, it represents streaming ‘content’ at its least inspired
The film’s star can’t keep her progressive political views to herself
It is impossible not to embrace the whole crazed, ambitious and thoroughly enjoyable affair
This season was more ambitious and explored its concept and drama far more deeply than the first
Plus, the showrunners clearly didn’t want the audience thinking about politics
She knows the difference between celebrity opining and matters of life and death
It was a critical turning point in his evolution as a visionary artist who pushed boundaries up and into the astral plane
It’s not funny, surprising, or particularly eventful
It remains to be seen whether Outrageous lives up to its billing
The Brutalist represents a Christopher Nolan-esque swing for the big leagues
The movie is facing a vicious and sustained assault on its credentials
By the show’s admittedly high standards, this first episode was definitely disappointing
He was an actor without sentiment, but with enormous amounts of fierce compassion
Further evidence that boomers can’t let go