Splitsville defends monogamy
The movie knows we long for monogamy even as we court licentiousness
The good, bad and ugly in arts and exhbitions
The movie knows we long for monogamy even as we court licentiousness
The awards were perfectly entertaining, but had absolutely nothing to say about bigger, more serious issues
Grand? Probably not. Finale? Hopefully.
King feels too much and thinks too little
The writer remains supreme in part because women don’t merely want dazzling men, we want to be dazzling ourselves.
The paintings become mysteries, enticing and deserving of attention precisely because there are so few
The enchanting and historically haunting show consists of more than 120 objects
The musical flirts with nonconformity and then, scared, retreats into its own shadow
Everything is a dolly shot of dolled-up people in a doll’s house
Her show at the Museum of Modern Art is a head-scratcher
It’s not the worth the paper it was written on
Might he be the next Brad Pitt? Or something better?
The Met’s newly reopened galleries are breathtaking
The musical is all cliché – and not in a good way
The White House seems to think so
Spike Lee does the right thing
The album was born out of necessity
It’s something C.S. Lewis might have liked
It took a few decades, but he’s finally achieved the prominence he deserves
What makes the show distinctive, and will undoubtedly account for its interest over future weeks, is its marriage between human consciousness and android bodies