What if the Emerald Fennell Wuthering Heights is good?
Jacob Elordi might well be about to capture Heathcliff’s mixture of brutality and magnetism
Arts Reviews
The good, bad and ugly in arts and exhbitions
Saturday
Friday
Nuremberg and the overpowering greatness of Russell Crowe
He skillfully suggests what a fascinatingly complex character Herman Göring was
Wednesday
Give Stellan Skarsgård an Oscar for Sentimental Value
Joachim Trier’s film shows us what compassion is
Tuesday
South America is flush with Nazi-looted art
Sleuths rediscovered a stolen painting, galvanizing efforts to uncover even more
Rauschenberg is a bore
His new exhibition at the Guggenheim is a sour birthday party
Man Ray is alluring in the way a psychopath is
The Met’s exhibition shows that the artist tried to destroy everything human about himself
Is Martin Scorsese America’s greatest living director?
Apple’s new paean to the man certainly suggests as much
A new Phantom comes to Broadway
Masquerade honors and innovates the legacy of Phantom of the Opera
Friday
The Running Man runs out of steam
Glen Powell is great, but this movie feels distinctly dated
Thursday
Vince Gilligan wins again with Pluribus
Apple has finally got its act together when it comes to original content
Will Disney strike a deal to end its YouTube TV blackout?
YouTubeTV knows it remains in the driver’s seat
Sunday
On less famous presidential assassins
Death by Lighting is uproarious fun
Saturday
Bryan Garner has recovered a lost master
In The Etcher: The Life and Art of Oskar Stoessel, he has lifted a great artist from obscurity
Friday
Die My Love is Jennifer Lawrence at her best
If only the rest of the cast had showed up
Wednesday
Uncovering Brian Wilson’s real genius
The long-unfinished Smile reveals the musician’s talent and madness
Sixties Surreal at the Whitney is a bad trip
The show feels like an undergraduate thesis
Why is the Met making medieval art perverse?
Spectrum of Desire is somewhere between blasphemous and libelous
Drowning in the neon swamp of Tron: Ares
Your eyes and your brain cells will hate you for watching this
Tuesday
Florence and the Machine is back
The band’s new album, Everybody Scream, contains some of the best music released this year
Friday
The free market can’t stop AI actress Tilly Norwood
There’s no economic incentive not to use AI actors – but doing so is morally repulsive