Richard Bratby

‘Zings off the stage’: My Fair Lady, at Leeds Playhouse, reviewed

Opera North's production provides indelible songs, dialogue that sparks and crackles and a cast who find meaning in every line – which makes Grange Park Opera's The Daughter of the Regiment seem oddly incomplete

A drama that zings off the stage: Dean Robinson (Col Pickering), John Hopkins (Henry Higgins) and Katie Bird (Eliza Doolittle) in Opera North’s My Fair Lady. © Pamela Raith 
issue 29 June 2024

If you want to kill a musical, make it into a movie. Cats, Phantom of the Opera, South Pacific… cinema history is littered with dud remakes of world-conquering theatrical sensations. But it’s almost worse when a film musical succeeds on its own terms, and – like a mask eating into the face – proceeds to write over the original show in the collective memory. I once saw a newspaper describe a West End revival of The Sound of Music as a ‘stage version of the classic movie’, which is a bit like describing Pride and Prejudice as a novelisation of the hit BBC drama.

Her coloratura is like sunlight on water. It might be the most exciting thing you’ll hear all summer

The prime exhibit is Lerner and Loewe’s My Fair Lady, which for most of us now means the 1964 film – that gorgeous Technicolor pageant which jettisons the show’s original star, Julie Andrews, in favour of Audrey Hepburn, purely for the visuals.

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