Leyla Sanai

Zimbabwe’s politics satirised: Glory, by NoViolet Bulawayo, reviewed

Robert Mugabe is portrayed as ‘the Old Horse’ and his vulgar wife as a braying donkey in an allegory reminiscent of Animal Farm

Robert Mugabe and his wife Grace in Harare, August 2002. [Getty Images] 
issue 02 April 2022

NoViolet Bulawayo’s first novel We Need New Names, shortlisted for the Booker in 2013, was a charming, tender gem, suffused with the guileless hilarity of children and the shock of tragedy in Zimbabwe, the author’s birthplace. Her follow-up, Glory, features animals as characters. I was initially mystified. Who would try to match Orwell’s allegorical masterpiece Animal Farm? Art Spiegelman succeeded in Maus, his graphic novel about the Holocaust, but each species represented one race, so the symbolism packed a punch – German cats hunting Jewish mice.

Here the species are often random, apart from the savage dog police. But the use of animals at least lends humour to a heavy subject: the betrayal of the people of Zimbabwe. The story, set in fictional Jidada, mirrors political events. It begins in 2017, when the Old Horse (Robert Mugabe) has presided for many years over a country devastated by corruption, shortages and human rights abuses.

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