Z, by Therese Anne Fowler, Beautiful Fools, by R. Clifton Spargo, Careless People, by Sarah Churchill – review

The Great Gatsby is one of those great works of literature, like Pride and Prejudice, that appeals as much to the general reader as to the literary bod. It’ll always be around, if not as a movie (there have been five since its publication in 1926) then as an opera or a ballet. Last year a staged reading ran for weeks in the West End, to critical acclaim.

It is a short book — a long short story really — about wealth and sex and hope and disillusion and partying. These are the themes, too, of the lives of its author and his wife Zelda. Theirs was a relationship that continues to fascinate as powerfully as any fiction, and so has produced fictions to investigate it. After all, as Fitzgerald told his biographer Malcolm Cowley: ‘Sometimes I don’t know whether Zelda and I are real or whether we are characters in one of my novels.