To promote his new drama series about Aids in the early 1980s, Russell T. Davies insisted in an interview that gay characters should be played only by actors who are actually gay.
This was maddening for a number of reasons, starting with blatant hypocrisy. One of the things that made Davies’s Queer As Folk so watchable was Aidan Gillen’s mesmerising performance as the smirking, predatory, cocksure queen of the Mancunian gay scene Stuart Alan Jones. It was the making of Gillen, who went on to star as Petyr ‘Littlefinger’ Baelish in Game of Thrones. But Gillen, who has a girlfriend and two children, almost certainly fails Davies’s gay authenticity test.
Nor is it healthy for the thespian trade in general. In ancient Greek drama, actors were known as ‘hypokrites’, since when it has been accepted by everyone, apart from a minority of demented social justice activists, that the job of acting involves pretending to be something you are not.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in