Richard Bratby

You could have built a tent city from all the red chinos: Aci by the River reviewed

Plus: a thrilling Lucia di Lammermoor at the Royal Opera House

Claudia Huckle’s voice burned with pain as the bereaved Galatea in Aci by the River. Image: © Craig Fuller 
issue 27 April 2024

The Thames cruise for which Handel composed his Water Music in 1717 famously went on until around 4 a.m. The boat trip downstream that formed part of the London Handel Festival’s Aci by the River was a bit zippier. We piled onto a chartered Thames Clipper at Westminster Pier, and a quartet of wind players were already huddled in the gangway, playing suitably aquatic Handel favourites. A bassoonist gave an anxious grimace as the captain floored the throttle and the boat lurched forward.

If our craft had been wrecked on some enchanted isle, we could have built a tent city from the red chinos

You do get to see an older, more Hogarthian city from the river, even if the skies were London-drab rather than the hoped-for Canaletto blue. One rationale for interactive music events is to attract that elusive younger, funkier audience, but this looked very much like the standard opera crowd to me.

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