A driven George Clooney tells Marianne Gray how important it is not to get typecast
George Clooney arrived on British screens more or less a fully formed star. He had spent years trapped in American sitcom hell and by the time we got him he was in his mid-thirties playing the debonair Dr Doug Ross in the hit series ER.
We never saw him as a young hopeful in embarrassments like The Return of the Killer Tomatoes or Murder, She Wrote, a TV show he describes as a junkyard for actors who become skeletons of themselves. He was delivered to us as Gorgeous George, the actor who could do no wrong.
‘Listen,’ Clooney comments amiably, when I meet him just before Christmas, ‘I was unfamous for a very long time and I’m enjoying being where I am now. I know that eventually my career will plummet — all careers do — so I’m going to savour this while it’s going strong.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in