I think I am supposed to say that Bill & Ted Face the Music, the third in a franchise about two Californian morons who time travel to save the world, is a harmless satire on American teenage good-naturedness and stupidity. I’m not sure about that: I think it is more likely evidence of what American cinema has done to the American mind since Jaws turned the B-list film into the A-list film, and vice-versa. Its heinous.
The premise is: creatures of the future decided long ago (in 1989) that Bill and Ted would one day write a song that would heal reality. So Bill & Ted’s Excellent Adventure saw them using time travel to meet historical figures to help them pass a history class that, if they failed, would mean Bill would go to military school in Alaska, and the music would die. In Bill & Ted’s Bogus Journey they teamed up with Death — they met him and played not chess but Twister because they didn’t know how to play chess.
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