Lloyd Evans Lloyd Evans

Worthy of Wilde: Eureka Day, at the Old Vic, reviewed

Plus: at the Almeida a scene that Chekhov couldn’t have conceived better

Kirsten Foster, Susan Kelechi Watson, Mark McKinney and Helen Hunt in Eureka Day. Credit: Manuel Harlan 
issue 01 October 2022

Eureka Day is a topical satire set in a woke school in America. An outbreak of mumps has led to calls for a vaccination programme that will prevent the school from being quarantined and shut down entirely. The script, written in 2018, has acquired new layers of meaning since the Covid terror. It opens with a playful sketch in which four white teachers and a black parent try to agree how many ethnic categories should be recognised by school officials. Their friendly conversation conceals a toxic seam of racial suspicion and hostility. The writer, Jonathan Spector, is probably a rock-sold liberal who wants the world to know that the woke cult has gone too far. The play’s highlight is a 20-minute passage of comedy which reaches a peak of hilarity that would make Oscar Wilde envious. It’s that good. There wasn’t a soul in the theatre not convulsed with laughter.

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