Elegy
15, London and Key Cities
Elegy is about an ageing professor (Ben Kingsley) and a beautiful young woman (Penelope Cruz), and it is based on the Philip Roth novel The Dying Animal, which, in turn, takes its title from Yeats’s ‘Sailing to Byzantium’, in which the poet describes his soul as ‘sick with desire/and fastened to a dying animal’. Elegy. Ageing. Roth. Dying. Sick. And yet this movie is such fun! Hats off to the director, Isabel Coixet, for infusing it with candy colours and setting it to a kitsch yet funky Seventies pop soundtrack. OK, only teasing. This is gloomy. In fact, I cannot remember the last time I felt so gloomed. It is a very brown sort of film and there is a great deal of piano tinkling.
Our protagonist is Kingsley’s David Kepesh, a celebrated cultural critic and professor at Columbia who is in his sixties and who has spent most of his life serially seducing his female students (but not the plain ones, as he worships physical perfection; I think I’d have been safe).
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