Hermione Eyre

World-class music, heavily symbolic staging: Glyndebourne’s Katya Kabanova reviewed

I hadn't realised how much I'd missed watching the exquisite torment of singers squeezing themselves into ambitious directorial conceptions

Katerina Knezikova excelled as Katya in Glyndbourne's new production, even when fitting herself into a small iron birdcage. Photo: © Richard Hubert Smith

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in