Lloyd Evans Lloyd Evans

Wordy, overwritten flop – perfect for the BBC: Noor, at Southwark Playhouse, reviewed

Plus: a small gem at the King's Head Theatre from a Czech playwright who had a significant influence on Tom Stoppard

The highly watchable Annice Boparai and excellent Chris Porter in Noor at Southwark Playhouse. Photo: Ikin Yum 
issue 26 November 2022

A heroic Asian woman parachutes into occupied France to work for the resistance and help overthrow the Nazis. This sounds like a fictional yarn but the story of Noor Inayat Khan is true. Her family were well-educated Sufi Muslims, who counted Gandhi among their friends, and they raised Noor as a pacifist intellectual who spoke several languages. And that’s the first oddity of the show. We aren’t told what drives Noor to side with Britain in a war that violates her family principles. And because we don’t know why she’s fighting, we’re bound to lose interest in her progress.

This wordy and overwritten flop is perfectly configured to become a ten-part BBC drama

Other puzzles emerge. She’s engaged to be married but we learn nothing about her fiancé. In Britain her commanding officer reveals that undercover wireless operators in France usually survive no more than six weeks without being executed by the Gestapo.

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