Why would anyone want to write an opera libretto? The words are generally held to be at the service of the music, relegated therefore to second place, so what would make any self-respecting writer choose to offer up their skills to the peremptory demands of a composer?
The reason is probably quite simply because it’s something else, another way of stringing words together that can take them into an entirely different dimension. Any writer with curiosity will want to experiment with their chosen form, to try more than one way of exercising their craft. And music can take words to places that they cannot reach alone.
Langston Hughes knew what the two could do together:
Cheap little rhymesA cheap little tuneAre sometimes as dangerous As a sliver of the moon.A
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