James Walton

Wonderfully naturalistic and intriguingly odd: BBC2’s The Gallows Pole reviewed

Plus: the week's other big new historical drama of the week, White House Plumbers, was considerably less subtle

David Hartley (Michael Socha) pursued by a dude in a stag skull in BBC2’s The Gallows Pole. Credit: BBC/Element Pictures (GP) Limited/Objective Feedback LLC/Dean Rogers  
issue 03 June 2023

In advance, The Gallows Pole: This Valley Will Rise was touted as a radical departure for director Shane Meadows. After all, he made his name with the film This Is England and its three rightly acclaimed TV sequels, about a group of working-class folks struggling to survive against the heartless backdrop of that reliable old enemy: Thatcher’s Britain. Now, he’s giving us a costume drama set in 18th-century Yorkshire.

In fact, though, it didn’t take long to realise that Meadows’s departure mightn’t be as radical as advertised – because the programme could easily have been entitled This Was England. Wednesday’s opening episode even began with a series of captions making it clear that, for the Calder Valley, the 1760s were a kind of proto-1980s, as traditional industries were wiped out and workers cast aside.

Meadows’s central point is that these people aren’t so different from us

Meanwhile, a man was dragging himself across a landscape of the purest grey – pausing only to examine the stab wound in his stomach, to collapse occasionally and to have visions of several cloaked figures with stags’ skulls for faces.

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