Kate Chisholm

Women of substance

Plus: the happiness hiding in the little things in life from a Brazilian poet and what it was like to be rich and black in 1950s America?

issue 18 June 2016

Three women, three writers, three very different life experiences. On Monday afternoon the artist Fiona Graham-Mackay introduced us to Imtiaz Dharker, whose portrait she has been painting. While she attempts to capture a visual impression, Imtiaz, who is a poet, tells us what it feels like to be the sitter, the one who is being looked at, drawn, observed with such sharp-eyed scrutiny. A Portrait of on Radio 4 was one of those seductive programmes that draws you in simply by the quality of the voices and the clear-sighted honesty of what they’re saying. What would it feel like to be painted, and then see yourself as someone else has drawn you? How does the artist know where to begin? With the eyes, the mouth, a first impression?

Dharker was born in Pakistan but grew up in Glasgow in a strict family where rules were made and where she always felt in some way constrained (she describes herself as ‘a Scottish Muslim Calvinist’).

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