Peter Hoskin

Without sci-fi, there would be no cinema

Science-fiction is the ultimate film genre, argues Peter Hoskin, on the eve of a major BFI season

Brian Blessed as Prince Vultan and Sam J. Jones as Flash in ‘Flash Gordon’, part of the BFI ‘Sci-Fi: Days of Fear and Wonder’ season 
issue 11 October 2014

Do you know what’s hateful? The snobbery that film fans have to contend with. There’s the ‘it’s only a movie’ snobbery, by which cinema is suitable only for wastrels and dogs. And there’s the ‘if it ain’t Danish and silent, then it ain’t no good’ snobbery. Proponents of both should spend less time blowing conjecture through their Sobranie smoke, and more time watching the Hollywood films of John Ford, Nicholas Ray and William A. Wellman.

Now that’s off my chest, here’s one way in which cinema is relatively free from snobbery. For decades, novelists and literary types have wrangled over whether science fiction books are anything more than — to use Margaret Atwood’s snooty description — ‘talking squids in outer space’. But filmgoers and filmmakers seem to have accepted sci-fi movies far more readily. The genre is not seen as something bad in itself, otherwise why would directors such as Fritz Lang and Stanley Kubrick have given it a go? There are simply good sci-fi movies and rubbish sci-fi movies.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in