Michael Hann

Without Pitchfork, bands like the Clientele would never have attracted any attention

Kill off the music press and how long will it take the next young band to break through?

Delicate, pastoral, slightly psychadelic and gorgeous: the Clientele performing at Lafayette. Image: the Red Beanie Photography 
issue 27 January 2024

The whole world might have been different had Alasdair MacLean, singer and guitarist of the delicate, pastoral, slightly psychedelic band the Clientele, had his way. In 2006 he told music website Pitchfork about the time he was working for a publisher and strongly recommended they turn down a children’s fantasy novel that had been submitted. They overruled him and published Harry Potter and the Philosopher’s Stone anyway.

We all know what happened to J.K. Rowling. MacLean ended up leaving the world of books, and in due course the Clientele got a music deal that enabled them to turn full time, though I have no idea whether they still survive solely on the tiny margins a working indie band can carve out. So here they are, 26 years on from the release of their first single, playing in Kings Cross on a perishing night, being gorgeous.

Without Pitchfork, the Clientele would never have attracted any attention

It’s easy to see why the Clientele have remained little: they are little.

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