Many girls dream about their favourite princesses. Elizabeth Stuart, a princess herself, took this fantasy a step further and modelled herself from childhood on her godmother and namesake, Elizabeth I. The young daughter of James I plucked her hairline to imitate her father’s predecessor, the great Tudor queen.
Aged ten, she was painted with a vivid red wig, dripping in jewels recognisably inherited from her godmother. She even practised her signature until it was almost indistinguishable from Elizabeth I’s famous flourishes. At 13, grandeur got the better of her when she signed herself ‘Elizabeth R’, her most exact copy yet of the queen’s mark. The surviving document shows that someone — perhaps a tactful adult — erased a downstroke from the ‘R’, returning Elizabeth Stuart to her rank as ‘Elizabeth P’, or ‘Elizabeth Principessa’.
Nadine Akkerman is well placed to write about signatures and why they mattered, being an expert on 17th-century letter writing in Europe.
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