Philip Hensher

Wise women in wikuoms

A great American novelist tackles complex themes in an epic account of the deforestation of North America. But this doesn’t make Barkskins the next great American novel

issue 04 June 2016

In spurts and bursts and flashes, a sublime novelist at work reveals herself. In Annie Proulx’s new novel, there are breath-taking pages and set pieces of extraordinary power. A man on board a ship, as the temperature plummets, sees all those around him embedded in ice before the catastrophe falls on him; a logging run down a river blocks, builds and explodes with the force of missiles; a wall of fire sweeps across a forested wildness. There are individual chapters of great dramatic force, as Proulx’s people confront the possibilities before them and produce their own solutions. But are those flashes enough? Barkskins in the end seems to me a work of profound error, in which a novelist’s conscious decisions have done a good deal to suppress what that novelist  can do best.

Proulx is an unpredictable writer, whose career has sometimes tested the patience of even the most sympathetic admirer.

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