John Sutherland

Wilkie Collins by Andrew Lycett – review

A Punch caricature of Wilkie Collins, emphasising his sensationalism. Credit: The Bridgeman Art Library 
issue 21 September 2013

In the outrageous 2010 press hounding of the innocent schoolteacher Christopher Jefferies over the murder of his young female tenant (of which a neighbour, Vincent Tabak, was later convicted and over which the guilty newspapers later shelled out punitive sums), the Sun produced, as suspicious facts, that Jefferies was ‘obsessed by death’, and ‘scared the kids’ in his classroom. He had, for example, exposed his pupils to the ‘Victorian murder novel’ The Moonstone.

As an English teacher at a high-ranked school, Jefferies would surely have prescribed my edition of Wilkie Collins’s novel— the only one, if I may toot my trumpet, to make comprehensive use of the manuscript. Pulp the edition, I thought with a shudder, before it kills again.

The Victorians believed that crime novels could, indeed, be crime-inducing things.  In 1840, the Swiss valet François-Benjamin  Courvoisier, slit the throat of his 70-year-old master, Lord William Russell. The motive was theft.

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