Arabella Byrne

What the British can learn from French attitudes to culture

  • From Spectator Life
Image: French actress Corinne Masiero protests at the 2021 Cesar awards ceremony in Paris

Asked to defend France’s reputation on the global stage, a French diplomat once told the International Herald Tribune, ‘If Germany has Siemens, we have Voltaire.’ In this vision lies something very obviously French: a single-minded belief in superiority grounded not in the future but in the glorious intellectual past. Schooled in the tradition of exception culturelle or cultural superiority, the French truly believe that their cultural capital is the finest in the world. Think Diderot, Condorcet, Sartre and Camus and you can see why.

Attend a French soirée and you will be asked to quote sections of Michelet’s histories and make witty repartee about Barthesian structuralism over the salad

It is in this context that we should understand actress Corinne Masiero’s ineffably Gallic striptease at the Césars. Casting off a donkey outfit and a blood-stained dress – what else – to reveal the message ‘no culture no future’ scrawled across her bosom and ‘give us art back Jean’ across her behind, Masiero made no bones about who she had in her sights, namely the Prime Minister Jean Castex (she also cleverly elided ‘l’art Jean’ with the French word for money ‘l’argent’ making us think about false homonyms; oh to be French).

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