Martin Gayford

Why the BBC will never match Kenneth Clark’s Civilisation

No modern critic would dare to match his sweeping statements – indeed, few were up to it in his day

[Getty Images/Shutterstock/iStock/Alamy] 
issue 17 May 2014

One afternoon in 1942, Kenneth Clark and his wife Jane called on two young painters for tea. The artists were John Craxton and Lucian Freud, then both around 20 and sharing a house in St John’s Wood. The visit was a success, as Craxton told me many years later, but not without its awkward moments. Jane Clark had to be headed off from helping in the kitchen, since the oven contained dead monkeys that were currently serving as models, placed there to restrict the smell.

After consuming a flan cooked by Lucian’s mother and viewing the artists’ work, the Clarks decided to return to what Craxton described as ‘the Olympian heights of Upper Terrace House, Hampstead’, where they lived. On leaving the artists’ bohemian dwelling Clark looked at ‘the very prosperous block of flats opposite’, gave a huge sigh, and said, ‘Strange lives!’ Craxton and Freud collapsed with laughter. ‘We couldn’t stand up.

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