Robert Gore-Langton

Why Sir Arthur Conan Doyle believed in fairies

The author's fondness for emanations and ectoplasm ran in the family

‘An Enchanted Picnic’, 1882: one of the fantastical watercolours by Conan Doyle’s father, Charles Altamont Doyle, painted just before he was committed to an asylum. © Peter Nahum at The Leicester Galleries, London / Bridgeman Images  
issue 27 July 2024

Sherlock Holmes fans will be delighted to know that there is a new play featuring the great man. In it Holmes, 72, bored silly by retirement and bee-keeping in the Sussex Downs, is back living at his old haunt of 221B Baker Street and  reunited with the widowed Watson. The case that lands in Holmes’s lap concerns a reported outbreak of fairies in the Bradford area. Thus we are plunged into the Cottingley saga, a mystery that fascinated the public in the 1920s.

The play is by Fiona Maher, a fairy-lore expert, organiser of the Legendary Llangollen Faery Festival (she’s known as Tink) and author of a very well-researched book on the Cottingley affair that sheds much new light on the hoax. In the play, the great detective’s sleuthing mirrors her own detective work.

Holmes represented exactly the kind of person who condemned Doyle for his belief in fairies and spiritualism

But before we get on to Holmes, the fairy-photograph story goes like this.

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