Michael Tanner

Why imperfect operas like Don Carlo are more interesting than perfect ones

Michael Tanner chooses his favourite recordings of Verdi’s magnificent muddle

Roberto Alagna as Don Carlo and Simon Keenlyside as Rodrigo in a Met production from 2010 – both singers feature in Michael Tanner's favourite recordings of the opera. Image: Mary Altaffer / AP / Shutterstock

Already a subscriber? Log in

This article is for subscribers only

Subscribe today and get a £30 Amazon gift card if you correctly predict the next US president.

Offer ends in ${days} days ${hours} hrs ${minutes} mins ${seconds} secs
  • The weekly edition delivered, via the Spectator app
  • Unlimited access to spectator.co.uk
  • Spectator newsletters and exclusive events
  • The chance to win a case of Pol Roger Champagne

Comments

Join the debate today

Guess the new US president when you subscribe, and get a £30 Amazon gift card.

Already a subscriber? Log in