Emily Hill Emily Hill

Why I hate Adele’s vapid, deathless ballads

Music never dies, but if Adele makes another record, there is going to be a murder. Probably of me, by me, because I can’t take it any longer. Right now, there is no escaping her. In 2015, 25 was the fastest-selling album, ever, on both sides of the Atlantic. Her single ‘Hello’ was downloaded a million times in a week and was the most-streamed song in Spotify’s history. Last week, despite her meltdown at the Grammys, she swept up at the Brits.

Which is stupendous news, if you, like everyone else, love Adele. But I don’t. I can’t. I won’t. I simply hate her. Or, rather, not her. But it – her music. When Coldplay was played this ubiquitously, at least no one ever admitted to being complicit. But Adele’s oeuvre, which is, if possible, even less inventive, is adored openly and by all. No one, but no one, ever complains about her.

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