Last year Netflix refused to add a disclaimer to the beginning of every episode of The Crown, warning viewers that it is part fiction. HBO Max’s new cartoon The Prince, however, had no choice: the series has been sitting on the shelf so long that it was out of date before it was even broadcast, so every episode bears a warning that ‘this isn’t really the royal family. It’s like, a parody, or whatever. And certain recent events will not be reflected in this programme.’
The streaming service’s new cartoon comedy (if one can call it that) is based around an imagined child’s-eye-view of life in the palace. The protagonist is eight-year-old Prince George. He is depicted as a camp, vain, bitchy, social-media obsessed American adult who has somehow been transplanted into the body of a child-prince. It isn’t clear why. He is mean to his staff and to the other children in his school, and aspires to star in an American reality TV show.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in