Lionel Shriver Lionel Shriver

Why Hachette were wrong to drop Woody Allen’s memoir

issue 21 March 2020

Even amid plague, economic apocalypse, and the cancellation of 2020, dumb stuff keeps happening. Besides, loads of us will now beeline for any column not about coronavirus.

Key words: Hachette, Woody Allen. See also: Douglas Murray. This isn’t the first time we’ve agreed on something.

American publishing has hardly covered itself in glory regarding Woody Allen’s Apropos of Nothing, which my New York editor read on the memoir’s submission last year. ‘It was really good,’ she emailed me. ‘We took an easier way out, that is for sure. Not to be repeated!’ The easy way out, which nearly the entire industry took, was not to bid on the book. Hachette acquired the memoir with no competition and no fanfare. As for whether such bandwagoning cowardice won’t be repeated, including at my own publishers, don’t bet the farm on it.

The memoir was slated for release next month, so the run was already printed when a fortnight ago Hachette employees staged a walkout to protest the publication. By successfully bullying the publisher to withdraw the book, they ensured that all those copies would be pulped.

Subjective so-called reality now beats empirical fact, and all that’s changed is what the hoi polloi wants to believe

Such as it is, the case against Woody Allen is three-pronged.

Although many minions who got Allen’s contract cancelled are too young to remember the supposed scandal in 1992, Exhibit One for the prosecution is the film director’s romantic involvement with the adoptive daughter of his ex-girlfriend Mia Farrow, Soon-Yi Previn, whom he married in 1997. Now, Soon-Yi is not Allen’s daughter either legally or biologically, and he never even lived with Mia Farrow. But the optics, as we say compulsively now, were incestuous, and the moralistic public outcry was deafening.

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