Jonathan Maitland

Why great speeches are made for stage and screen

The stakes are always high, and what actor doesn’t salivate at the prospect of hogging the stage or screen with that final, rousing call to action?

James Wilby as Geoffrey Howe in the original production of Jonathan Maitland's Dead Sheep. Photo: Darren Bell 
issue 10 October 2020

Curious thing, writer’s block. If you believe it exists. Terry Pratchett didn’t. ‘There’s no such thing,’ he said. ‘It was invented by people in California who couldn’t write.’ He had a point. Writers write, period. But there is a syndrome in my house known as Not Starting Anything New Through Fear Of It Being Not Very Good. Less catchy than ‘writer’s block’, but arguably a more accurate description of the condition.

My Covid-induced version of the above involved endlessly ‘honing’ an already completed play about my mother to devastatingly little effect and musing on the oldest creative question of all: is there a formula for writing success, and if so what is it?

The short answer, despite the many how-to-write-a-hit books (Robert McKee, Christopher Booker et al. ), is of course ‘no’. But something that might tilt the odds in your favour is to base your story around a famous speech.

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