The German composer Max Reger, born 150 years ago next week, is mostly remembered today for countless elephantine fugues and one piece of lavatory humour. When he was savaged by the Munich critic Rudolf Louis, he wrote back to him: ‘Sir, I am sitting in the smallest room of my house. I have your review before me. In a moment it will be behind me.’ The quip was probably borrowed from Voltaire, but since no one can find it in his writings the credit has gone to Reger.
But let’s not dwell on the image of the morbidly obese composer taking his revenge. What’s interesting is that Reger was hated by so many critics. Then, as now, it was a thought crime for a young man (he died of a heart attack at 43) to make a point of embracing tradition.
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