Why do the British have such terrible taste in voices?

When it comes to voices, the words of the apocryphal Times headline come to mind: ‘Fog in the Channel; Continent cut off’. It’s one sign of the deep cultural differences between ‘us’ and ‘them’, which maybe made Brexit inevitable.

You might not think a taste in voices would have any connection with this cultural divide. But for me, an Italian-born and trained soprano, who speaks opera’s mother tongue, it seems blindingly obvious. It strikes me that Brits in general have very different ideas of what an operatic voice should sound like, compared to the Italians, Spanish, French, Germans and also, interestingly enough, the Americans. My American fellow students at the Royal College of Music expressed the feeling that the Brits ‘like small voices, finely refined, jewellery voices packaged in small boxes.’