Matthew Parris Matthew Parris

Why do amateur performers still flourish?

issue 23 March 2013

Chesterfield is a medium-sized town just off the M1, near what were once the coalfields of north-eastern Derbyshire. Not without history (and a lovely old market square) and not without character (a church with a splendidly warped spire, positively Van Goghian, is its most famous feature), the town is nevertheless an unassuming, formerly industrial north Midlands community which earned its living until recently from a steelmaking and coal-mining regional economy. The posher parts of Derbyshire consider Chesterfield a spirited if sometimes hard-bitten place, a popular joke about the twisted spire being that it got stuck when, centuries ago, the spire saw a virgin entering the church to be married and — astonished — bent down to take a closer look; and that if the spire ever sees another virgin bride in Chesterfield, the shock will jolt it straight again. But so far it never has. Chesterfield is no Harrogate.

Yet the town supports a full orchestra.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in