James Walton

Why David Bowie is still underrated

Can it be a coincidence that his creative return to form has come with the world well on its way to 1970s levels of apocalyptic anxiety?

issue 13 April 2013

Is it just me, or is there quite a lot being written about David Bowie at the moment? Of course, there’s the fact that the V&A’s blockbuster exhibition has coincided with the totally unexpected appearance of his first album for ten years. (While putting the exhibition together, the curators could never have dreamed that on the day it opened, a new Bowie album would be number one in 40 countries.) Yet for some cynics on the internet — never hard to find — the recent outbreak of Bowie mania is a simple question of demographics: the media is now run by people who grew up with him, and apparently never get bored of banging on about it. Seeing ‘Starman’ on Top of the Pops! Poring over the lyrics of ‘Aladdin Sane’ on the bus back from the record shop! That sort of thing!

Well, I must admit to my fair share of lyric-poring (still word-perfect on ‘Aladdin Sane’, as a matter of fact).

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