There is a long tradition of the pop intelligentsia getting involved with academe or publishing — Pete Townshend’s work as an editor for Faber being the obvious example, Jah Wobble’s labours over Blake’s poetry rather less so. Sir Paul McCartney was the driving force behind the Liverpool Institute of Performing Arts. The Spectator’s own Alex James is the best bassist of his generation, and lived the pop life to the full, but he also has the cerebral firepower to hold his own in an academic common room or editorial meeting. So there ought to be nothing unsettling about the Smiths’ former guitarist, Johnny Marr, becoming a visiting professor of music at Salford University. One only has to hear, say, the opening chords of “How Soon is Now?” or “What Difference Does It Make?” to realise what a considerable intelligence lurked behind that particular guitar.
Matthew Dancona
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