Powers of Persuasion: The Story of British Advertising by Winston Fletcher
The impression you get from reading this book, which covers post-war advertising until the present, is of a chaotic, self-serving, occasionally brilliant, but ultimately shallow business. It is full of accounts of crassness, of overstated promise, of meaningless awards, fly-by-night companies, promotion of the semi-talented and clashing egos. It’s quite comprehensive and at times entertaining, as we hear of the hubris of the ridiculous Saatchis, the naivete of politicians and the endless attempts by ad agencies to carve out a little philosophical niche for themselves, be it the derided USP or the idea of account management. Fletcher also includes a rather dutiful section on advertising in history — Montaigne noted it, Johnson liked it — and a tour d’horizon of early exponents of the dark art.
The one thing you won’t find in this book is any comprehensive or interesting theme: the problem is that Fletcher has for a very long time been an insider and a practitioner.
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