Big Red Machine release their second album later this month. It’s a fine name for ten tonnes of agricultural apparatus but perhaps not quite so persuasive for a pop group, particularly one with a considerably lower profile than most of its members. A collective formed by the National’s Aaron Dessner and Bon Iver’s Justin Vernon, Big Red Machine has corralled the likes of Robin Pecknold (Fleet Foxes), Sharon Van Etten and Taylor Swift into making a collaborative record called How Long Do You Think It’s Gonna Last?.
It sounds intriguing on paper, but the quality of musical collaborations is notoriously hard to gauge from the cast list. Unlike film, in which significance and potential accrue according to the sheer weight of star quality mustered, musical collaborations often fall prey to negative creative equity. The sum is not one of multiplication, but division.
For artists, collaboration throws up an awkward proposition: if it’s too successful it looks like you need help
They come in many forms.
Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in