Fiona Sampson

When atonal music was original and exciting

Alexander Goehr, the sole survivor of the radical Manchester School of Music in the 1960s, describes turning pre-war European tradition into British cutting edge

Alexander Goehr. [Getty Images]

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in