Jonathan Meades

What you see is what you get

Iain Sinclair searches for answers in the back streets of Marseille and the ruined cottages of the Outer Hebrides

issue 15 September 2018

The Wellcome Trust puts on some of the most engaging exhibitions in London and holds in its permanent collection a number of fine works. Its roots are in biomedical research, but those roots have, with modification, sprouted so many disciplines and areas of tangential enquiry that it makes perfect sense to have commissioned Iain Sinclair to write about the physical and psychological effects of buildings and places on the health of the people who inhabit them, pass through them, long to get out of them, represent them, think about them.

Sinclair’s approach is not that of a sociologist, an off-the-peg analyst of urbanism (density good, sprawl bad) or a travel writer on a journey to ‘find himself’ (in the way that they wearyingly will). He is, rather, in a typically oblique way, an investigator into the ashes of architectural determinism — the once fashionable notion, too readily dismissed, that design can dictate behaviour.

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