Richard Bratby

What would Tanner say?

Sibelius on period instruments; Carmen by numbers; and ENO's luck runs out – yet again

Piotr Beczala (Don Jose) and Aigul Akhmetshina (Carmen) in Damiano Michieletto's Carmen for the Royal Opera. ©2024 Camilla Greenwell 
issue 13 April 2024

On the train home from the Royal Festival Hall I learned of the death of Michael Tanner, who wrote this column from 1996 to 2014 and beyond. The Orchestra of the Age of Enlightenment had been playing Sibelius’s Fifth Symphony, and it’s not strictly true to say that the news made me wonder about his likely reaction to their performance, had he been able to hear it. But that’s only because, for anyone who came of age reading his criticism, asking ‘What would Michael say?’ is already a reflex – and will be for as long as we think or write about music.

There was plenty to interrogate here, not least that an orchestra founded to give historically informed performances of music from (the clue’s in the name) the 18th century was playing a symphony completed after the first world war. It’s not a wholly new development. Some British period instrument groups have tiptoed up to 1914 and then, as a rule, retreated.

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