It might seem counterintuitive to say this about such a chatty medium, but what I have missed most about the theatre during its long year in the Covid wilderness is silence. More specifically, the two distinct types of silence unique to this artform, the silences that top and tail a production of import, a piece that matters. The first is the silence of anticipation, as an excited first night audience settles into its seats and stops fidgeting and the lights sink down. The second sort, even better, is the kind that floats and shimmers around the auditorium once the final word has been spoken and the lights come up, before rapturous applause bursts forth from every excited spectator, buzzing with the sensation of having just shared in something special. Silence in the midst of words, individuality in the midst of community: that is what the theatre means to me and life has been poorer without it as our places of entertainment have undergone their longest shutdown since the time of Oliver Cromwell.
Fiona Mountford
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in