You might recall a column I once wrote about a party at the Wallace Collection. It took place in late 2008, the host was the US investment bank Morgan Stanley, and I compared the assembled financiers — who saw the crisis then raging as just one more opportunity to make money out of volatility in markets that were bound to swing round again — to the circle of dancers in Poussin’s ‘Dance to the Music of Time’, which hangs in the Great Gallery there. Far-fetched perhaps, but I have a weakness for allegories.
On a pre-Christmas visit to the Wallace, I found the gallery splendidly refurbished and re-hung. The ‘Dance’ — like the banking sector — is in a different place but still emitting the same signals. So is ‘The Laughing Cavalier’, Frans Hals’s 17th-century version of a FTSE fat cat. But the work that really caught my eye in the new arrangement was a French bronze, circa 1700, titled ‘Allegory of Time witnessing the Triumph of Honour, Probity and Prudence over Vice’.

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