This elegantly argued, amusing and acute book has been put together, in the end, for a single overdue purpose: to piss all over Edward W. Said’s ludicrous 1978 polemical work, Orientalism. It may look, for most of the journey, like a scrupulous history of the academic study of Arabic cultures, and the steady growth in understanding, as well as some deft character sketches of the necessarily rather eccentric figures in the field. Don’t be misled: Robert Irwin has Said perpetually in his sights.
It is quite incredible to conceive the influence Said’s Orientalism has had, within and outside academia. Said’s point was not just that the ‘orientalist’ styles of European art and literature traduced the reality of what they purported to represent. He went further and claimed that almost all Western students of Middle Eastern culture were tools of imperialism and Zionism, plotting to subjugate the vast culture under jackboots cunningly disguised as slow-selling histories of the Mameluke sultanates.
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