Veteran actor David Suchet is no stranger to Biblical readings, but his new Westminster Abbey performance of John’s gospel carries a special poignancy. The combined power of his voice, the abbey’s acoustics, and the breathtaking interior, apt portions of which the camera captured in beautiful synchronicity with the reading, made for a richly resonant experience. And for Christians who are even now being harassed as they seek incarnated fellowship, the reminder that ‘the Word was made flesh and dwelt among us’ is more timely than ever.
Yet the gospel most beloved among laymen is also the most contested among scholars. For some, it is a uniquely illuminating, intimate piece of reportage on Christ’s life and passion. For others, it is a patchwork of evolved fabrications – eloquent, to be sure, but offering small tangible comfort. As one new work treats in depth, even some evangelicals have fallen into the habit of treating John as the red-headed stepchild of gospels scholarship.
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