James Walton

What on earth has happened to Simon Schama: The Romantics and Us reviewed

Have the culture wars driven him away from the values of thoughtful scholarship?

The most striking impression was of a man ill-advisedly throwing in his lot with today’s new orthodoxies: Simon Schama. Credit: BBC/Oxford Films/Eddie Knox 
issue 12 September 2020

‘You may think our modern world was born yesterday,’ said Simon Schama at the beginning of The Romantics and Us. If you do, though, I can only imagine that you’ve never seen any history documentaries on television — where, as a rule, the modern world is born in whatever period the documentary happens to be about, from Ancient Rome to the 1980s. After all, how can the past possibly be interesting if we can’t see ourselves reflected in it?

As the title indicates, Schama’s choice, this time, of an era important enough to lead to us was the romantic movement. But as it soon turned out, the ‘us’ he had in mind was rather narrowly defined: the folks who go on marches in the name of ‘the brotherhood and sisterhood of the people’ (or some of the people at any rate — mainly the ones who go on marches).

How can the past possibly be interesting if we can’t see ourselves reflected in it?

As an example of what he meant, Schama showed us some recent American protestors in less violent action than usual.

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