John Preston

What lies beneath

There’s the pretty-much-mandatory South American setting, the gloomy reflections on the nature of reality and unreality, along with a clutch of wildly unreliable narrators.

issue 25 September 2010

There’s the pretty-much-mandatory South American setting, the gloomy reflections on the nature of reality and unreality, along with a clutch of wildly unreliable narrators.

There’s the pretty-much-mandatory South American setting, the gloomy reflections on the nature of reality and unreality, along with a clutch of wildly unreliable narrators. It even has the added cachet of having been written in Spanish by a Canadian and then translated into English. If ever there was a book that demanded to be hurled across the room by anyone who’s not a regular user of the word ‘ludic’, this surely is it.

It therefore comes as a considerable surprise to report that All Men Are Liars is a remarkable novel — richly textured, ingeniously constructed and deeply unsettling. The book starts with an account, by Manguel, of his friendship with an Argentinian called Alejandro Bevilacqua, who has fallen to his death from the balcony of Manguel’s flat.

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