Deborah Ross

What kind of film does ‘Hitchcock’ think it is?

issue 09 February 2013

Hitchcock is one of those films which would have been much better off if it had taken a moment to sit down and decide on its own sensibility. Before a camera had even rolled, it should have pulled up a chair and asked itself: am I a film about Hitchcock’s marriage, or am I a film about his psyche, or am I a film about one of his films, or am I an inside-Hollywood comedy, starring Sir Anthony Hopkins lumbering about in a fat suit and perving at blondes? If it had asked itself, it might have settled on the one, and retained its focus, and told us something. But it didn’t, so it doesn’t, and it tells us nothing. It’s not awful. It’s just not much of anything; the kind of film you will walk away from with a ‘so what?’ and a shrug. ‘So what?’ I shrugged, as I walked away.

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