Claudia FitzHerbert

What can we learn of George Eliot through her heroines?

Eliot guarded her privacy closely, but her novels explore themes of sacrifice and restraint, and her heroines are studies in the impossibility of having it all

Frederic William Burton’s portrait of George Eliot (1865) captures her melancholy and earnestness. [Alamy] 
issue 25 March 2023

‘I have… found someone to take care of me in the world,’ Marian Evans wrote to her brother in 1857, three years after setting up house with George Henry Lewes. Professing herself ‘well acquainted with his mind and character’, she requested that the modest income from her father’s legacy should in future be paid into her husband’s bank account. A reply from the family solicitor forced her to acknowledge that ‘our marriage is not a legal one, though it is regarded by us both as a sacred bond’. The funds were paid accordingly, but all contact was severed.

Very soon, money from Evans’s novels – written under the pseudonym of George Eliot – also began pouring into Lewes’s bank account. This was helpful, as he remained responsible for Agnes Jervis, the woman he’d married in 1841 and couldn’t divorce, since he had condoned her adultery. Eliot was actually entitled to hold on to her money, precisely because she wasn’t married.

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