Nigel Jones

What Britain owed to Gracie Fields

The Rochdale lass who sang her way from music hall to the silver screen encouraged a spirit of resilience and community in the interwar years, says Simon Heffer

Gracie Fields lays the first stone for the new Prince of Wales Theatre in Coventry Street, London, in 1937. [Getty Images] 
issue 07 October 2023

Simon Heffer is the supreme Stakhanovite among British writers. Where the original Stakhanov moved 227 tonnes of coal in a single shift, within the past decade Heffer has produced four massive volumes of modern British history, each little less than 1,000 pages. Alongside them he has edited three equally voluminous diaries of the waspish socialite MP ‘Chips’ Channon, as well as writing regular reviews and columns. Hats off to the master!

In this latest and final volume of his tetralogy chronicling the British century between Queen Victoria’s accession in 1837 and Neville Chamberlain’s reluctant declaration of war on Germany in 1939, Heffer once more treats us to his vast knowledge and trenchant opinions on almost every aspect of the nation’s state, from high politics to crime and popular entertainment. It is an astonishing achievement of narrative history, and if it has an old-fashioned feel, it’s in the best sense of that phrase.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in