I haven’t seen so many men crying since the end of A Tale of Two Cities at the Scala Cinema in Oxford in the late 1950s. As the credits rolled, stern-faced blokes whipped out their hankies and dabbed their eyes. But by the time the lights went up, the hankies were replaced and upper lips stiffened. These after all were men, many of whom had served in the war.
On balance, you feel, that is how men should behave, rather than sobbing uncontrollably with their parents around, like Steve Smith, or — in the case of wee Davey Warner — doing an absurd name, rank and number impression from a prison camp film. All because they had been caught. And then caught lying. I’m not sure how long these Aussie cricketers would have lasted in Revolutionary France. Or indeed in Stalag Luft III.
Warner is a man whose idea of sledging on the pitch is swearing repeatedly at players.
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